Showing posts with label Tate Liverpool. Show all posts
Showing posts with label Tate Liverpool. Show all posts

Tuesday, January 17

Alice

This morning I took the no.6 bus into Liverpool to visit the Tate Gallery... by the Albert Docks.
The Alice in Wonderland Exhibition finishes by the end of January and I still hadn't seen it.

 "which bottle shall I drink from?"

There was a time when the potter worked for a small company making "Alice" ceramics...
...in between teaching and the studio here at The Potters House.

Anyway, Rev. Charles Dodgson was born in the south of Warrington in a village called Daresbury.
So it would have been a shame not to see it and as the bus is free...so far!.....
..and I'm a member of Tate...it was a good day out and not much to spend.
So much to see and so much information as the whole of the 4th floor was taken over by the books and the people that the stories influenced.
That was quite a surprise!
 This is a list of some of the artists, writers and film makers influenced.
The Preraphaelite Brothers and in particular, Holman Hunt and Rossetti, Mervyn Peake, Marie Laurencin, Ralph Steadman, Sir John Tenniel, Arthur Rackman, Nabokov, Voysey, Millais, Dorothea Tanning, Max Ernst, Leonora Carrington, Kokoschka, Roland Penrose, S. Dali, Paul Nash, F.E.McWilliams, Peter Blake,  Kiki Smith, Allen Roppersberg, Nalini Malani, Magritte oh and perhaps...weirdest of all...Walt Disney!
He had such a strong influence on the Parisian Surrealists who made him their own and encouraged the English artists, such as Nash, to recognize what this fellow Englishman had produced.
Disney went into partnership with Salvador Dali, and together they produced , what for me was the most surreal work in the whole show. The fairy..like music of Disney and the ever evolving surreal movements of Dali...including his love of insects et al.
The books have been illustrated by so many artists in so many different countries, and so many different styles.
Sir JohnTenniel of course...but to see the earliest drawings by Dodgson himself in the small, original hand written book presented to Alice Liddell, gave me an insight into what he was thinking of as the story unfolded.
Of the others, Arthur Rackman had to be one of my favourites and Ralph Steadman would come a close second.
But the influence goes on in the 21st c. A work by the American artist, Kiki Smith takes from the story of Alice through the Looking Glass....."swimming in a pool of her own tears". (that's the card at the bottom of the photo).  And most interesting... an installation called,"The Neverending Book 2007" by Allen Roppersberg inviting people to take 5 pages out of boxes containing print-outs from pages in books in his own library, and from these either make a story or write a poem. I'll have a go and if I think there is any good in it I'll put it up one day!
This is a piece by  Max Ernst using the meaninglessness of Alice and Dodgson's writing ....
"At the junction of two signs
One for a school of herrings
And the other for a school of crystals
33 little girls set out for the
White butterfly hunt
The blind dance in the night
Princes sleep badly
And the black crow is to speak"

Well I can't make sense of it...but I like it!
Not much different I suppose from..."Will you walk a little faster...."



The white rabbit in the middle is Charles Dodgson's own drawing!

Thursday, March 31

New Work.



I seem to need a starter in my art.
"Starter for ten"...I hear you cry!

A muse, a book, an exhibition, a poem.
A visit to the Tate in Liverpool
or the Walker.

I saw an exhibition of Chinese artists just before Christmas.
The purity of the line and the meagreness of the palette was scrumptious.

So in need of something tangible I pulled out this book from the shelf.
I bought it in a second hand book shop quite a while ago and had a bit of a look from time to time.


All the artists are of the 20th c.



Li K'e-jan: Poets under Trees with Falling Leaves.
( describes this perfectly)



Me: Shell lying on the Beach in Goa.
( does it work?)


Lin Feng-mien: Herons in the Reeds.
( So few brush strokes).



Me: Driftwood Root with Stones Encased.
( did I get a bit too precious?)



Lin Feng-mien: Landscape with Yellow Trees.



Me: Driftwood with Hole - Found on the Bay.
(well I really did)




Lin Feng-mien: Actor in the Classical Opera.



Me : Large Driftwood in the Shape of Hiroshige's Wave.
( the name Hiroshige is classical!)

Why do the title's of the Chinese artists have such an authentic ring to them,
While mine might seem a little contrived I'm asking myself.

Ah well, I could call them....
Driftwood I
Driftwood II
Driftwood III
and Shell I

In fact I think I have, on the flickr site!!





Wednesday, March 30

A Poem for Thursday.



Oh silly me!
Did I think that I could do without poetry ?
Well I can't!

We went to The Tate Liverpool recently.
It was the oldest grand daughter's 15th birthday.
She loves her art!
The exhibition on the 2nd floor is curated by the poet .......
Carol Ann Duffy.
So lots of lovely words end up in paintings and all that.
There's a board with magnetic words on strips, and you are encouraged to put them together however you want.
Fantastic fun!
So here is what we did....
not earth shattering I know ...but brilliant!


Pretty deep I'd say!